A morbidly beautiful tale of strong-willed mermaids, a journey towards finding oneself and a crumbling city
Angela Rega |
Angela Rega is a belly dancing school librarian with a passion for folklore, fairy tales and furry creatures. She was raised in a multi-lingual household where nobody finished a sentence in the same language and still struggles with syntax. She keeps a small website here: angierega.webs.com.
What
inflamed your passion for writing ?
Angela: As a child I spent more time with my
grandmother than anyone else and she was an avid storyteller. There was a story
for every experience, every lesson and for entertainment. Everything was a
narrative.
Later on, I discovered the written word. I
had an amazing teacher in primary school who read us The Hobbit and The Egypt
Game and I was hooked. Reading stories became an escape. Then writing them I
realised I could create my own getaways or explorations. I can’t imagine not
writing now.
What
fascinates you about fantastic, mythic and folklore fiction?
Angela: Magic. Wonder. Discovery. Possibility.
Metamorphosis. These are evident in the fantastic, the mythic and the
folkloric. I think to be able to escape into these stories knowing I will
experience one or all of these elements excites me. If stories were a fluid body of water, the
mythic and folkloric serve as a well from which I draw from.
"Reading stories became an escape. Then writing them I realised I could create my own getaways or explorations. I can’t imagine not writing now."
Angela: My parents were migrants from Sicily and Southern
Italy. I grew up with a reverence for the sea and the mythic that it contains.
My grandmother told me stories of the Cyclops of Acitrezza and the mermaids of
the Straits of Messina. These tales are old and can be traced back as early as
Homer’s The Odyssey.
In my twenties I visited Venice and fell in
love with this sinking water city. Completely. In. Love. I read about the Doges
of Venice who, once a year would take a trip in a gilded barge to the open sea
and there they would toss a wedding ring into the ocean to symbolise the
marriage of the city to the sea. I thought…what if…what if….there were mermaids
collecting the rings and now with the Doges long gone and Venice sinking they
were waiting to claim the water city as their own?
On a deeper level, it is a story about
identity and duality and in particular how these translate in
relationships. Mermaid stories often
have this theme present. How much of ourselves do we give? How much is too
much? Can you deny your true nature? This is why stories of sirens have always
fascinated me. It is something I think we can all struggle with – there is a
bit of mer creature in all of us.
"On a deeper level, it is a story about identity and duality and in particular how these translate in relationships. Mermaid stories often have this theme present. How much of ourselves do we give?"
Was there
a specific song, album or artist that helped you with your writing process?
Angela: I love listening to music – particularly
while I’m writing. I love writing to ambient music by artists such as Steve
Roach and Brian Eno and I also like listening to cello and violin or the
operatic sounds of Callas and Tebaldi – my two favourite opera singers.
If you
could meet any author, alive or dead, which one would you choose and why ?
Angela: Argh! Just one? I cannot limit myself to one…maybe two…no…let’s settle for
three because I have enough room for four chairs around my small table in my
Lilliputian apartment. If I could meet any author alive or dead they would be:
Italo Calvino, Haruki Muraki and Jeanette Winterson.
"If stories were a fluid body of water, the mythic and folkloric serve as a well from which I draw from."
Fae Visions of the Meditarranean is available in both print and electronic formats. Here are some useful links if you want to purchase the book or if you're simply interested in following updates from the Future Fire Press:
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Amazon
Future Fire Press Blog
Reviews:
Goodreads
Publishers Weekly Review
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